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Rohan at the Louvre (Louvre Collection), by Hirohiko Araki
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Stunning illustrations depict an original fantasy story in this captivating graphic novel. As Rohan, a young Japanese manga artist, is drawing, he meets a mysterious, beautiful woman who tells him of a cursed 200-year-old painting. The painting was created using the blackest ink ever known, which came from a 1,000-year-old tree that the painter had cut down without the approval of the Emperor. The painter was executed for this, but the painting was saved from destruction by a curator of the Louvre. A decade later, Rohan visits Paris and asks the museum to unearth the painting from deep within its archives—but he is completely unprepared for the power of the curse he has unleashed.
- Sales Rank: #24388 in Books
- Published on: 2012-04-01
- Original language: English
- Number of items: 1
- Dimensions: 10.50" h x 7.25" w x .50" l, 1.30 pounds
- Binding: Hardcover
- 128 pages
Review
"Mischievous humor. A great find." —Library Journal on the previous books in the series
"A great story of a hearing-impaired young man trying to find his way." —Miami Herald on the previous books in the series
"It's a straightforward, beautifully drawn, and delicately colored tale, filled with emotional bursts, sudden death, and the scent of eternity. It's also a great deal of fun." —Foreword (June 2012)
"Wondrous insanity." —www.TCJ.com (The Comics Journal)
"A must read! With its attention to the artistic process and the almost INDIANA JONESesque mystery of an ancient relic, mixed with a little bit of Japanese fairy tale whimsy, Rohan at the Louvre is a truly unique reading experience." —www.AintItCool.com
"The previous . . . title in the Louvre's distinguished graphic novel series, The Sky Over the Louvre, set an even higher standard than the first three high quality titles, and Araki's gorgeous ghost story easily matches them all for plot, drawing chops and emotional gut-punch. This excellent volume is recommended for fans of extreme manga artishness and for horror otaku." —Library Journal (May 2012)
"Araki's book will be relished by readers who are fans of the manga format, especially those interested in art." —VOYA magazine
"Published in a large hardcover format this unique title should find an audience. Should be popular with manga fans." —School Library Journal (July 2012)
About the Author
Hirohiko Araki is a manga artist and the author of the JoJo’s Bizarre Adventure series and the Steel Ball Run series, both of which have been serialized in the popular weekly magazine Shonen Jump.
Most helpful customer reviews
24 of 24 people found the following review helpful.
Better for people who already like Araki's works, but an interesting and worthwhile comic
By Diana D.
I'm a huge fan of Hirohiko Araki and his comics, so when I heard that Rohan at the Louvre was being published in English, there was no question I'd buy it; in fact, I already had it in the Japanese magazine serialization and the hardcover French edition. It's a five-star for me, or for several other groups of people, but there are some problems with this volume regardless.
It's a gorgeous volume; the hardcover binding isn't too hard or too flimsy-feeling, like a nicer picture book. The printing quality is excellent, and while the author is known and loved for occasionally garish color use, the beautiful coloration on the interior pages is soft and dreamy, with colors reminiscent of early 1900s children's books accented with splashes of blacks and brights. If you're a fan of Hirohiko Araki's art, you want this regardless of whether or not you like the story as the single most inexpensive "artbook" you'll ever find.
The story is a decent standalone; its themes are similar to some of the other Rohan short story one-shots that haven't been published in English, but that's not necessarily a drawback. What is a drawback is that you really will get far more out of this comic if you have already read some of Araki's other work including Rohan Kishibe as a character, none of which has ever been published in English. There's a charming scene where three characters from Diamond is Unbreakable show up to say a few lines; for a dedicated Araki fan this is a wonderful shout-out, but for someone who hasn't read those comics, you might be left wondering who these people are. In fact, while Rohan's "ability" is explained very simply in the first few pages, its name is never given; if you're a pre-existing fan you might know that it's Heaven's Door, but when Rohan later refers to it AS "Heaven's Door", it's not explained, nor are some of the mechanics of how Heaven's Door works which wind up being crucial to the comic. I loaned my copy to someone who had no previous knowledge of Araki's works, and while they enjoyed it, they were a bit confused. Even so, it's a nice self-contained story, and the Louvre setting elements add to the story rather than feeling like they were shoehorned in just for product placement.
As far as the English editing and translation goes... The translation itself is quite good; it preserves the distinctive speaking style of the original comic while still being readable (delightfully so, in fact) in English, and the section in the back about the Louvre collections is a good primer for those who've never been there. However, as a long-time manga reader some of the editing is a bit sub-par. There's a few typos near the end, and some rather dubious typeface usage that I really don't agree with. The fact that the dialogue and the SFX subtitles are all set in the same typeface is a bit jarring as well.
I'd recommend this to anybody who enjoys the art of Hirohiko Araki, or to anybody with an interest both in artwork and in horror stories (because this IS a rather creepy horror story, with some pages full of strange gore). It isn't a perfect book, nor is it a perfect edition, but it's still good enough to have a place on my shelf for years.
7 of 7 people found the following review helpful.
The usual Araki greatness, but larger pages could've benefited from more color.
By romevi
I will preface by saying that this book assumes you're caught up with Jojo up to the end of the fourth arc. Being that this book is released by the Louvre publishing company, it's readily available for print at the museum and online shops. But passers-by may be confused by its plot, if they become intrigued by the artwork alone. And they should; Araki's stuff is some of the best and most detailed in the manga world. Sometimes, however, it can be TOO detailed for the smaller manga panels, but in this large paper print it works handsomely.
As many readers familiar with the arcs may guess, Rohan at the Louvre is its own side story that has nothing to do with the main series. Rohan's adventure happens in two parts. The first half seems to happen before the events in Jojo's Bizarre Adventure. The second half happens either during or after the events of the fourth arc, so it seems.
The story itself is very interesting and captivating. I'm usually not a fan of side stories because I feel they're not as polished or intricate as the main story. Readers are already so heavily invested in the main series that side stories usually get in the way, often harming a character by delving too much into their background for their own good. But this side story is great, and really can act as one of the subplots of the main story, since there are so many anyway.
As an amateur author, I admire Araki's mastery over his characters. He's created hundreds, and each has their own unique personality setting them apart from the rest; even the smallest of characters who appear for no more than a few panels have some depth.
The artwork is gorgeous, as you'd expect from anything by Araki. Glorious poses are all there, but I feel that sometimes some of the coloring looks either washed out or like there's some bleeding. With such freedom of page size, Araki could've benefited from giving his pages more color, or else contracting someone to do it for him.
Of course, the plot takes extreme liberties with its environment. Seeing as Araki has infiltrated the Louvre and its secrets, the publishing company saw fit to add an addendum at the end that highlights that the work is entirely fictional, as well as its depiction of the museum. Like we didn't already know that.
Ah, well. The museum's gotta protect its integrity, even if readers of its published works already know fact from fiction.
A great and must-read for fans of Araki. People unfamiliar with the source material may be confused--actually, they WILL be confused--but the artwork itself is enough to admire. Still, I highly, HIGHLY recommend newbies to read Jojo's Bizarre Adventure.
Unfortunately, only the third arc has been translated (thanks to Viz), but there are dedicated fan "scanlations" (scanned translations) that have brought Araki's masterwork to western audiences. I won't mention any sites due to possible legal conflicts, but they exist. Use your preferred search engine to find them. They're worth the read and time-suck.
6 of 6 people found the following review helpful.
Rohan Rocks!
By Tim Lasiuta
I loved this book. "Rohan at the Louvre" reminds me of a Poe poem brought to life, almost the Casque of Amontilado, this time, the Art of Araki brings the same intense feeling of dread, release, and love lost.
The art is stunning, and the story is evocative of much, much, more. The question of what art is, is central to the story. What emotion does art evoke in its' viewers? What inspired the art? What part does the art play in history? The last painting by Nizaemon was so much more, was a mystery unlike any other. Reading this reminds me of the Black Museum radio series, actually, this could be an episode of such.
The book is a good example of exactly why NBM has risen to the top of the graphic novel realm. Their Papercutz products are award winning, and these should be too.
This comes highly recommended for art (almost Gil Kanish), story telling, and the international favor it brings to our book shelves.
Tim Lasiuta
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